This page does not contain image descriptions. The glass acts like a prism, simultaneously reflecting and refracting light: the result is visual cacophony. Robert Smithson was born in Passaic, New Jersey, in 1938. The Store and Museum are closed on Thanksgiving, Christmas, and New Year's Day. Robert Smithson’s Mirage No. The piece incorporates six pairs of mirrors that occupy the junction of floor and wall, with piles of gravel dropped on them with the intention of cracking the glass. The resulting gaps are passageways akin to Alice’s Looking Glass or the Bellman’s blank map, in that they are thresholds to an elsewhere.” Robert Smithson died in a plane crash on July 20, 1973, while surveying sites for his work Amarillo Ramp in the vicinity of Amarillo, Texas. Smithson focused his short but influential career on a reconsideration of sculpture in relation to nature. [Skip to main navigation] Enantiomorphic Chambers(1965) combines the artist's interest in crystallography and perception. Employment, Internships, and Opportunities. 220 E Chicago Ave Not needed for screen-reader users. Recent solo exhibitions of his work were held at the Dallas Museum of Art (2013–14) and the Montclair Art Museum, New Jersey (2014). Smithson planned to have 100 tons of industrial glass dumped on a small rocky island, then to use a crowbar to break the glass into small pieces. “I like landscapes that suggest prehistory,” said Smithson. He primarily identified as a painter during this time, and his early exhibited artworks had a wide range of influences, including science fiction, Catholic art and Pop art. The map is a series of "upheavals" and "collapses"--a strata of unstable fragments is arrested by the friction of stability. View phone numbers, addresses, public records, background check reports and possible arrest records for Robert Smithson in Illinois (IL). Robert Smithson expressed a profound interest in the arts from an early age. Robert Smithson, Map of Broken Glass (Atlantis), 1969. arrested by the friction of stability.” Similar to other fictive territories, Map of Broken Glass foreshadows Smithson’s most ambitious realization: a spiral-shaped artificial peninsula made out of mud, salt crystals, and basalt rocks named Spiral Jetty, which he built in the Great Salt Lake, Utah, in 1970. He began his career as a painter but in the mid-1960s started experimenting with different media including sculpture, writing, drawing, film, and eventually, earthworks. The countless fragments of shattered glass that form Map of Broken Glass (Atlantis) (1969) are layered both literally and figuratively. Smithson’s first solo exhibition was in 1959, at the Artists Gallery, New York. In addition, Dwan donated two outright gifts of sculpture—Robert Smithson’s Glass Stratum (1967), and Non-Site #1 (Pine Barrens, New Jersey) (1968), as announced by the National Gallery of Art in July 2013. (16 3/4 x 14 in.) “It is a shimmering collapse of decreated sharpness . In late 1969, Robert Smithson travelled to Vancouver, British Columbia, to make his project titled Island of Broken Glass. Smithson planned to have 100 tons of industrial glass dumped on a small rocky island, then to use a crowbar to break the glass into small pieces. Chicago, IL 60611 Between the site and the Nonsite one may lapse into places of little organization and no direction.” Some remarkable examples related to Smithson’s Nonsites may be found in this gallery. Symmetrically duplicated by the mirrors, the fissures of cracked glass together with the dust from the gravel mar the pristine reflective surfaces, further complicating the multifaceted interplay of materiality and illusion, presence and absence. "Enantiomorphic" refers to crystalline compounds wh… He produced drawings and collage works that incorporated images from natural history, science fiction films, classical art, religious iconography, and pornography including "homoerotic clippings from beefcake magazines". Hung on the wall at three-inch intervals, the mirrors create an experience of displacement: as they reflect the movements of people in the space of the gallery, the shifts in size cause jumps in scale, and the gaps between them interrupt visual continuity. We have made our image descriptions, originally written for people using screen readers, available to all site visitors. . Sometimes the results were fleeting documentations, other times permanent, large-scale sculptural interventions—as in the case of Spiral Jetty (1970), the iconic earthwork maintained by Dia on the northeastern shore of Great Salt Lake, Utah. For two years, he was enrolled at The Art Students League in New York and, for a briefer period, at The Brooklyn Museum School. your own Pins on Pinterest He died in Amarillo, Texas, in 1973. Aug 27, 2012 - This Pin was discovered by William Melody. He produced this earthwork study as a document of one moment in the continual process of environmental flux. Installation view of Robert Smithson, Enantiomorphic Chambers 1965 (original destroyed, exhibition copy 1999), painted steel and mirror, two parts, each 61 x 76.2 x 78.7 cm, Courtesy of the Holt-Smithson Foundation. Major retrospectives of his work have been organized by the Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York (1980); the National Museum of Contemporary Art, Oslo (1999); and the Museum of Contemporary Art, Los Angeles (2004). Spiral Jetty is an earthwork sculpture constructed in April 1970 that is considered to be the most important work of American sculptor Robert Smithson. Robert Smithson (January 2, 1938 – July 20, 1973) was an American artist known for sculpture and land art who often used drawing and photography in relation to the spatial arts. Deeply informed by science in its popularized forms—such as science fiction literature and cinema, encyclopedic collections, and natural history museums—his practice addresses processes of accumulation, displacement, and entropy in order to reveal the contradictions in our visible world. The Store closes at 5 pm on Labor Day and on the eves of Thanksgiving, Christmas, and the New Year. Earthworks: Robert Smithson, Sam Durant, and Mary Brogger, Robert Smithson/Tony Tasset: Site/Nonsite, Read more about accessibility on this website. For over fifty years, Robert Smithson's work and ideas have influenced artists and thinkers, building the ground from which contemporary art has grown. Marisol will be closed until further notice. The underlying inspiration here is a 1969 piece by Robert Smithson entitled "A Map of Broken Glass (Atlantis)," an 18-by-15 foot pile of broken window panes that suggests the debris of lost civilizations, but which nonetheless catches the light in unexpected ways and glistens with a mystery of its own. Robert Smithson «Map of Broken Clear Glass (Atlantis)» In the context of his Land Art works this drawing of a map is related to other works such as the photography «Hypothetical Continent - Map of Broken Glass: Atlantis July 11-31, 1969» or the «Imaginary Maps.» When the drum delivered by National Starch and Chemical Company was pried open, its sticky contents were a garish orange—not the expected neutral grey. In late 1969, Robert Smithson travelled to Vancouver, British Columbia, to make his project titled Island of Broken Glass. Overview On view in these galleries are five of Robert Smithson’s indoor earthworks from the late 1960s, made with materials such as sand, gravel, mirrors, and glass. As the title implies, the sculpture is to be seen not simply as a pile of sharp, transparent fragments but also as a map of a legendary lost continent. © Holt/Smithson Foundation/Licensed by VAGA at Artists Rights Society (ARS), NY. Yet Smithson's intent was to undercut logic and to invert systems by merging his observations of nature with art. Robert Smithson, (born Jan. 2, 1938, Passaic, N.J., U.S.—died July 20, 1973, Amarillo, Texas), American sculptor and writer associated with the Land Art movement.His large-scale sculptures, called Earthworks, engaged directly with nature and were created by moving and constructing with vast amounts of soil and rocks.. Smithson preferred to work with ruined or exhausted sites in nature. While still attending high school in Clifton, New Jersey, during the mid 1950s, he attended art classes on the side in New York City. “A crystal,” observed Smithson, “can be mapped out.” In fact, the study of crystallography led him to the formulation of the concept of Nonsite as a physical synthesis of the map and the mapped, or, as he put it, “a container within another container—the room.” Technically, he defined the Nonsite as “an indoor Earthwork,” an elusive “three-dimensional map of a site.” “Instead of putting a work of art on some land, some land is put into the work of art. In his first mature works, Smithson used crystalline formations and structures as symbolic models for the composition of his sculptures. [Go to accessibility information], Robert Smithson, Map of Broken Glass (Atlantis), 1969. With the launch of this website, the MCA has created a platform for archiving and publishing images and stories from our 50-year history. Smithson’s site-specific earthworks lead me to contemporary considerations on the function and place of art. (Quoted in ed. This comprehensive publication considers Smithson's sculpture Spiral Jetty in relation to its eponymous companions—a text work and a film. N. Holt, The Writings of Robert Smithson, New York, 1979, p. 103) In Rutherford, William Carlos Williams was Smithson's pediatrician. Robert Smithson's failure in B.C. This website is made possible in part by the Kovler Web Fund. Directions. Through his studies and training, Smithson became fascinated with the Abstract Expressionists, i… In 1973, Smithson died in a plane crash in Amarillo, Texas, while working on the earthwork Amarillo Ramp. One example is Untitled (1966), a modular, composite volume that incorporates opaque and reflective surfaces. Born in New Jersey in 1938, Smithson' early interests in cartography, geology, prehistory, philosophy, science-fiction, and language spiral through his work. As part of a series of stepped pieces, each module results from the application of a simple mathematical principle to create a contrapuntal system, literal and symbolic, dynamic and still. Many of these works, with their emphasis on geometry, industrial fabrication, and rational appearance, utilized the minimalist vocabulary of artists such as Sol LeWitt, Robert Morris, or Carl Andre. Dia Art Foundation; Partial gift, Lannan Foundation, 2013. The resulting gaps are passageways akin to Alice’s Looking Glass or the Bellman’s blank map, in that they are thresholds to an elsewhere.” Robert Smithson died in a plane crash on July 20, 1973, while surveying sites for his work Amarillo Ramp in the vicinity of … 537 West 22nd Street See more ideas about Robert smithson, Land art, Sculpture installation. 1 is an arrangement of nine framed mirrors that increase in size from one square foot to one square yard. View examples on the. Dia Art Foundation; Partial gift, Lannan Foundation, 2013. In 1964-1965 Smithson created his first large scale sculptures. Photo: Florian Holzherr. Enable visual layer of image descriptions. Apr 20, 2016 - Explore Jose Rodriguez's board "Robert Smithson" on Pinterest. [Skip to quick links] Though many exhibition pages currently lack descriptions or illustrations, we’re committed to a program of ongoing research that will fill in the blanks over time. He was just 35 years old. In 1964, he began to produce what he considered his first mature works of writing and sculpture. While at my residency, I met the artist, Ooldouz Alaei Novin, (whose work can be seen here and here) an Iranian mixed-media artist who thinks about issues of exile and assimilation.Although she came to Marble House with an entirely different project in mind, once on the … An influential figure in mid-20th century American art of the 1960s, the painter, sculptor and installation artist Robert Smithson experimented with various types of art and was initially associated with Minimalism, before turning to Conceptual art and finally Land art - … Robert Smithson’s materials set him apart from the other artists at Dia. The sheets of glass leaning against each other allow the sunny flickers to slide down into hidden fractures of hidden shadow. From the floors of ancient Pompeii to the walls of the New York subway, mosaics have been a feature of urban life for thousands of years. . in 1970 inspires Camille Norment and the Experimental Music Unit to create Songs of Glass Island His glass and earth particle sculptures are gatherings of splintered material—a language that differs greatly from the solid bodies and clean surfaces that fill most of the museum. Smithson documented the construction of the sculpture in a 32-minute color film also titled Spiral Jetty. Robert Smithson expressed a profound interest in the arts from an early age. [Skip to secondary content] Robert Smithson was born in Passaic, New Jersey, in 1938. Robert Smithson/Tony Tasset: Site/Nonsite Sat, Oct 7, 1995 – Sun, Dec 3, 1995 Image not available Robert Smithson: Sculpture Fri , Apr 10 , 1981 – Sun , Jun 14 , 1981 This is an article from the Summer 2015 issue of Canadian Art.. Robert Smithson focused his short but influential career on a reconsideration of the nature of sculpture—or, rather, of sculpture in relation to nature. While still attending high school in Clifton, New Jersey, during the mid 1950s, he attended art classes on the side in New York City. Smithson was born in Passaic, New Jersey and early on lived mostly in Rutherford. Robert Smithson (January 2, 1938 – July 20, 1973) was an American artist who used photography in relation to sculpture and land art. Beloved by hobbyists and DIYers, these assemblages, typically created by arranging pieces of glass or stone, are often categorized merely as craft, reducing their appeal to artists who would prefer to avoid those associations. Gravel Mirrors with Cracks and Dust, 1968, Closed Mirror Square (Cayuga Salt Mine Project), 1969. © Holt/Smithson Foundation/Licensed by VAGA at Artists Rights Society (ARS), NY. For two years, he was enrolled at The Art Students League in New York and, for a briefer period, at The Brooklyn Museum School. Deeply informed by science in its popularized forms (such as science fiction literature and cinema, encyclopedic collections, even natural history museums), his art focuses on processes of accumulation, displacement, and entropy in order to reveal the contradictions in our visible world. Discover (and save!) New York, New York 10011. In 1953, as a high-school student, he won a scholarship to the Art Students League of New York, where he studied in the evenings for the next two years, also taking classes at the Brooklyn Museum Art School in 1956. Robert Smithson was interested in the natural environment as an alternative site to the interior, decontextualized space of commercial galleries and museums. Robert Smithson American Smithson’s Three Mirror Vortex, a triangular basin into which the artist placed a polyhedron made with panes of glass, indulges in optical ambiguity. Robert Smithson, American, 1938–1973 Map of Broken Clear Glass (Atlantis), 1969 Collage, Photostat, map, and graphite on paper 42.5 x 35.6 cm. The reflections create the illusion that the work exists in and encompasses an expansive space. Robert Smithson ’s Glass Island started out with such promise. AGO’s collection of close to 95,000 works ranges from cutting-edge contemporary art to European masterpieces; from the vast collection by the Group of Seven to works by established and emerging Indigenous Canadian artists. On view in these galleries are five of Robert Smithson’s indoor earthworks from the late 1960s, made with materials such as sand, gravel, mirrors, and glass. Two related sculptures, made one year later, also incorporate mirrors and loosely assembled raw material—Closed Mirror Square (Cayuga Salt Mine Project) (1969) and Leaning Mirror (1969). Robert Smithson; Study for the Sculpture Glass Strata with Mulch and Soil, 1969 Robert Smithson; Discontinuous Aggregates, 1966 Robert Smithson; Trailer Partially Covered with Asphalt, 1970 Robert Smithson; Detail, Surd Deposit, 1970 Robert Smithson; Torn photograph from the second stop (rubble). Paintings from 1959 to 1962 explored "mythical religious archetypes" and were also based on Dante's Divine Comedysuch as the paint… [Skip to content] In 1999, through the generosity of the artist Nancy Holt, Smithson’s widow, and the Estate of Robert Smithson, the artist’s work Spiral Jetty (1970), located at Rozel Point peninsula on Great Salt Lake, Utah, was donated to Dia Art Foundation. Created during a brief period from the mid-1960s to the early 1970s, Smithson’s provocative works spanned a variety of sites beyond the museum and gallery, from magazine pages to abandoned industrial and natural wastelands. Click “Image Descriptions” to hide descriptions at any time. Whitepages people search is the most trusted directory. Click to reveal image descriptions. Receive Dia News and be the first to hear about events and exhibitions happening at our locations and sites. Gravel Mirrors with Cracks and Dust (1968), for instance, contains gravel collected at Bergen Hill, New Jersey. The cross-shaped whole, which consists of organically merged cubes, conjures a deliberately static, yet paradoxical, volume: as the structure seems to expand, its consistency is undermined by the mirroring surfaces on its sides. Exhibition History 1980 Robert Smithson: Sculpture, Herbert F. 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